![]() This space radiates out from the album’s first single, “Taken By Ascent,” a seven minute plus burner that engulfs the surrounding realm with empathetic waves. Ben is in a particularly expansive mood this time around, singing and playing with all the thoughts affixed to a quiver of potent melodies launching forth and arcing out through dimensions, seeking infinite space. All of this is speculative, comparative, unverifiable – but our sense of what is true tells us that nobody plays acoustic music quite like Six Organs of Admittance, and that furthermore, nothing sounds so much like Burning the Threshold as Burning the Threshold. With a spacious acoustic sound stage, Burning the Threshold may actually more resemble 2011’s Asleep on the Floodplain or 2005’s School Of The Flower. ![]() ![]() Burning the Threshold brings a wealth of Six Organs-styled lightness into one of his sweetest musical meditations yet. In the end, what sits in our listening ears is the sound of communion. As ever, a head-full of ideas were driving him to think and speak music as a spirituality superimposed onto a reality, with the ghosts of both whispering at each other. In preparing for the first album of non-Hexadic Six Organs of Admittance music since 2012’s Ascent, Ben Chasny had a think about what he’d be saying in his own tongue for the first time in a half-decade. Six Organs of Admittance: Burning the Threshold (Drag City) LP I’m back, and I’m swamped, cuz I was away, so… here’s your weekly update! Enjoy.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |